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Most builders agreed on the essential premise of the electric bass, but not on its execution. Most obviously, the frets are closer together, meaning a short-scale fingerboard is almost too easy to navigate compared to a 34"-scale bass. Chords, long stretches, and other taxing techniques are easier to pull off thanks to the closer confines. The timbre of a short-scale bass is unique thanks to physics. Essentially, a string vibrates in such a way that the fundamental frequency of a note is accompanied by a series of overtones that are predictable ratios of that fundamental.

The relative amplitude of these overtones is largely what gives an instrument its unique sound or timbre. When the length of a string changes, the character of its overtones also changes, resulting in a timbre shift.

The result is a naturally thicker and less brilliant sound. For this same reason, short-scale basses all other factors being equal have a fatter sound than their 34"-scale equivalents.

The unique feel of a short-scale bass is not limited to its shorter length but also to the looser tension of its strings. When a short-scale bass is tuned to standard pitch, its strings will be looser in comparison to a 34"-scale bass with strings of identical mass. Thankfully, most strings designed for standard-scale basses will work just fine on a short-scale, provided the bass is well designed and set up.

One great advantage of short-scales is their light weight and excellent portability. For the touring bass player or anyone bothered by the load a standard bass can put on a shoulder over a long gig, short-scale basses are an excellent choice. For the manufacturers that make several, I chose a representative instrument of the line. The only thing you lose with a short-scale is length. While the luthiery has a list of custom options as extensive as any, it also offers a few standard models, including the Stanley Clarke signature bass.

Born in the Texas Hill Country, Birdsong basses are built to be lighter, shorter, better balanced, and easier-playing than standard-scale basses without sacrificing tone or playability. The company offers several models, and they share a 31" scale, passive electronics, Its Nu-Sonic bass offers a basswood body, Indian rosewood fingerboard, two groovy single-coil Nu-Sonic pickups, and a cherry red finish. That should be endorsement enough. Philadelphia luthier Tim Cloonan makes some of the finest instruments available, no matter the scale length.

His short-scale models were built and refined with help from players like Biddle, Tim Lefevbre, and Steve Jenkins, and they currently represent the state of the short-scale art. A builder with a fun aesthetic eye, his designs are blessed with sinuous curves and bold, impressive finishes. Modeled after the legendary Gibson EB-O, the Epiphone edition is as old-school as it comes in its overall concept and approach.

Unlike the original Mustang, the new version sports a beefy humbucker for added chunk. Undoubtedly one of the most coveted short-scales on the vintage market, the iconic Guild Starfire is back in a mid-priced imported edition. The Handsome Gibson esque body is semi-hollow and sports a Guild BS-1 BiSonic pickup, an unusually large single-coil that has a cult following among the tone cognoscenti. The laminated mahogany body looks good with the Indian rosewood fingerboard, while the simple adjustable bridge offers rosewood saddles that help take the edge off the tone.

Few basses are as distinctive and iconic as the legendary violin bass, thanks to a certain Liverpudlian who loved its light weight, small neck, and sweet tone. The Ignition Series leverages the low-cost of Asian manufacturing to offer a remarkably affordable take on the venerable classic. It has many details inspired by the original, including a spruce top, set neck, and flame-maple back and sides.

While the U-Bass is nothing like the other instruments listed here, it certainly offers a short scale and, most important, sounds just as capable as much more traditionally designed basses.

Kala offers many variations, but the solid mahogany edition is perhaps the most traditional. As finishing experts, Landing is all about working with its customers to achieve the look and feel they want. The Kluson-style tuners and Tune-o-matic-style bridge round out the vibe-y look. Southern California luthier Rob Allen has been steadily beating the short-scale drumbeat for over a decade, and his unusually beautiful basses are a testament to his expert craftsmanship. True to its namesake, the diminutive Mouse is a mere 5.

During the prenatal development of the electric bass, there undoubtedly came a moment when Leo Fender realized a string would also need to be invented. Live Performance. Home Recording. Artist Lessons. Bass Player Live. By ED Friedland. By Brian Fox. By Jonathan Herrera.

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4 Comments
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