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We use cookies to make interactions with our website easy and meaningful, to better understand the use of our services, and to tailor advertising. For further information, including about cookie settings, please read our Больше информации Policy. By continuing to use this site, you consent to the use of cookies. Download citation. Download full-text PDF. Cite this publication. Masafumi Monden.

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By continuing to use this site, you consent to the use of cookies. Download citation. Download full-text PDF. Cite this publication. Masafumi Monden. The process of cultural globalisation does not always imply cultural homogenisation. As Arjun Appadurai contends, neither centrality nor peripherality of culture exists in the context of cultural globalisation.

Rather, transnational cultural forms are likely to circulate in multiple directions. The analysis of the online community also seeks to establish the idea that this transnational cultural flow serves as an alternative to the local culture.

Content uploaded by Masafumi Monden. Author content All content in this area was uploaded by Masafumi Monden on Jul 16, New V oices. V olume 2: New V oices V olume 2 is a vailable for download from the New V oices website: All material in New V oi ce s is copyright.

Copyright o f e ach p iece belongs to the a uthor. Copyright of the collectio n. A part from any fa ir use as permitted under the Copyright A ct , no part may be repr oduced.

Editorial Advisory B oard:. Dr T o moko Aoya ma, Univer sity of Queens land. Pro fessor W illiam Coaldrake, U niversity of M elb ourne. Pro fessor Purnendra Ja in, Universi ty of Adelaide. Ms T o moko Koya ma, Macqua rie U niversi ty. Editor , V olume 2. Dr Ma tthew Stavros, U niversi ty of Sydney. Printed in A ustralia by Gotham. Cover Design by W arren Liang.

Ne w V oi ce s was la unched in December with the aim o f sup porting early car e er. W e are deligh ted with the support and en thusiasm that New V oi c es has received, and f or. I hope that Ne w V o i ce s will con t ribu te to encouraging emergin g J apa nese studies scholars. W akao K oik e. In trod uctio n vi. Ma tthe w Sta vros. T r anscultural Flow of Demure A esthetics: E xamining Cultural Globalisat ion Representa ti ons o f the Ja p anese in Contemporar y A ustr alian Literat ure Symbols of Sta te I d eolog y: Lisa N arr owa y.

U nd erstanding Samurai Disloyalty Be yond S ilence: Ka th leen C usack. Who Are the I anfu Comfort W omen? A um Shinri kyo - A Fo ucaultian App roach. Cr ystal P orter.

U se of English T ense Forms. No tes on Contribut ors Pr eface to the second volume of N ew V oices. N othing sho uld detract from the individ ual achievements. N e vertheless, it should be men tioned that their w ork. I n a country with a populatio n smaller than California,.

T ogether , these institu tions em ploy almost 3, instructors a nd s chola rs who teach and. First, they all s uccessfully com pleted a n honour s pr ogram a t.

Finally , each of the essays was blindl y reviewed by a t least two. T o b e sure, ther e are mor e than a few recen t ou tstanding A ustralian hono urs. Others had their. M ore s till secured jobs upo n graduatio n that made them ei ther too busy.

I mentio n this. N e vertheless,. I do believe that they ar e a stron g and loyal rep resentatio n of the remarkab le le vel o f. During the s and. T oday , almost without ex ceptio n, studen ts take to J apan b y way o f t heir ub iquit ous,. J apanese popular cult ure. And the r esult is asto unding: Academic in terest in J apa n,.

Mor e o ver , perhaps because studen ts grow. Despite these initial im pulses, it is. Only on e essay in this collection, f or exam ple, deals with popular cul ture. My o wn mentors, st udents. M any came ho me to ta ke u p jobs,. Some wor ds of thanks are in o rder to the people a nd insti tutio ns that made this.

First, to the members o f t he edit orial advisor y board: S usan W ake took o n the. H erculean task of meticulously edi t ing each o f t he man uscr ip ts and coordina t ing the.

Finally , and most im p ortan t ly , I wish to thank W a kao K oike. N e w V oices pr oject. Fo undation. On behalf o f us all, I ha ppil y and energetically co nvey m y thanks. Ma tthe w S tavros, Ph. Ed itor ,.

All successful submission s to this issue of. Ne w V o ic e s ar e published online and a re. Several of the essa ys, how ever ,. U niversi ty of Queensland. I examine how the. English ar e also disc ussed: Gendered styles, ther efor e, are o f central im p o rtance and tran slat ors wishin g to. T wo accustom themselv es to a so cially accepta ble futur e, another displa ys an.

In trod uctio n. Discussions of short sto ries and page numbers ci ted refer to the J apanese source t ext unless ot her wise marked.

T ranslation s following J apanese phrases in brackets ar e my own: Quotation s from. New V oices V olum e 2. Furthermor e, it ma y b e ar gued that because English is not simila rly demar cated in. I n my analyses o f three short stories b y J apanese women, I exa mine. English does.

Gendered languag e styles such as. M y analyses of En g lish tran slatio ns of J apa nes e.


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